Well, if you even listened to the legacy of the Duttons, there was a lot of sacrifice. It doesn’t come easy. I think there’ll still be other interests trying to exploit the land. It’s kind of a switching roles.
Corporate interest is not going to stop just because the native people have it. They might think it’s even bigger opportunity, so I think that would be actually a lovely spinoff to have in what it’s like for the native culture to try to protect the land and maybe even engage Beth. Beth is going off with Rip in this isolated ranch, and she’s used to a lot of activities. So I think it would be beautiful if she decided she was going to continue the wishes of her father to preserve the land and maybe assist Rainwater with her knowledge.
Do you think Rainwater will still see Kayce, Monica, and Tate [Brecken Merrill] very often now that they’re living on the land’s east camp full-time?
I would hope so. Tate and Monica both want to stay connected to their tribe, and now that they’ve got a different set-up and the land that was once part of one side of his family is now part of the other side of his family, I would think it would be important that they integrate [Tate] in that and that he can learn that side of his ancestry and what responsibilities he may have when he grows up.
With Yellowstone coming to a close, what’s next for you?
Well, Christmas! [Laughs] An actor’s life is this day to day sometimes. It’s one of those spaces where we had this wonderful experience of seven years with these great people and writing a great show. You never know how long a show is going to go and how successful it’ll be, so I think this whole last season was a lot of introspective and sad acceptance of the realization that the show is going to at least change in some form, but this form will end. But I don’t really have anything lined up right now as it is.
Is there any chance we might see you in the Beth and Rip spinoff, or maybe the other Yellowstone spinoff, The Madison?
It’s awesome that fans are so invested in it that they’re just so curious about the Yellowstone universe or the Taylor universe. And he’s obviously got a number of other spinoffs not related to Yellowstone, but yeah, they keep it pretty close to the vest.
Looking back, what are you most proud of with your part in this series?
Definitely the development of a character and a revisionist Western that’s present-day, intelligence, and a man of agency that’s equitable to any other components and characters in the show.
I know most people don’t realize what a battle it is and how difficult it is to find projects that represent us aside from historical context or stereotypical portrayals that are not accurate at all. And then really blessed that I had Mo there as a supportive entity as well, that we could support each other and collaborate with Taylor. He was always open to the collaboration of his storylines, and if we had a suggestion or thought that something should, for example, the knife cutting. That really had to be researched so that it wasn’t some kind of hackney. So I think that’s what I’m most proud of, and I hear that back from the native community, how much they appreciate that it’s a very real portrayal.
Do you have a favorite Rainwater moment?
Oh, I don’t know. Now you’re testing my memory. I think maybe when they cast me [laughs]. The finale was pretty powerful, and it came full circle. I think it was great for people to be able to witness an equitable resolution.
And how does it feel now that the season, and possibly series, has come to an end?
I don’t know. I mean, some people are going on and the show has left itself open to going on to pictures, going on to spinoffs. And it was a “season” finale, not a “series” finale, right? [Laughs]